Ukudweba nge-Baroque njenge-Art

Isitayela samaBaroque singenye yezindlela ezithakazelisayo kakhulu ezenzweni zaseYurophu zekhulu le-16 nele-18, kanye neLatin America.

Inkathi yamaBaroque iyathakazelisa ngokuphambene kwayo, i-dynamics, idrama futhi ngesikhathi esifanayo - imibono emisha mayelana nokuvumelana, ubunye nokuhlukahluka kwezwe elizungezile.

Leli gama elisuka kwisiPutukezi lihumusha ngokuthi "iparele elibi". Ekuhunyushweni okuvela kwi-Italian "Baroque" kusho "okungajwayelekile, okungajwayelekile."

Ngaphezu kwalokho, igama elithi "baroque" lenye yezinhlobo zokucabanga ngezifundo. Ngakho-ke, lesi sitayela kwakubhekwa kungenangqondo futhi sibi, futhi konke ayekubonise kwakuwukweqisa futhi kungokwemvelo. Ukhokho walo yi-Italy.

Zonke izinhlobo zobuciko, ezifana nezakhiwo, umculo, izinkondlo kanye nomdwebo we-baroque, zahlukaniswa ubuhle, ubuhle, ubukhulu nobukhulu bemvelo, ubuhle nobuciko obujulile bezithombe ezivezwe, umbono wabo, inhlanganisela yeqiniso kanye nefantasy. Ukudweba iBaroque kwakhazimulisa amandla lamandla kanye nesonto, ingcebo nobuhle bobuhle. Phezu kwalesi sitayela yinkulumo-ze yombuso ophelele.

Izingqikithi ezivame ukwedlula zonke ezenziwe nge-baroque (imidwebo) zaziyizinkolelo zenkolo: iMadonna enezingelosi ezikhuphuka ngokumelene nesimo samafu aphephile, ubuso bezingcwele, ezithathwe eziqhingini zenkolo futhi eziboniswa ngendlela engavamile.

Ubuciko obusha, kufaka phakathi ukudweba (baroque), esikhundleni sokuvuselelwa kwe-Italy. Phela, ukuvela kwanoma yikuphi ukuthambekela kwezobuciko kuhlotshaniswa nemicimbi ethile yomlando, futhi entsha ivela njalo njengomphumela wokulwa nomdala.

Umgomo wokudweba kweBaroque ukushiya zonke izinto eziyisono, emhlabeni futhi ufike ngokungahambi kahle, okungaqondakali, okungenasono. Kwakukholelwa ukuthi ubuciko nemvelo kuyiqiniso ngezindlela ezahlukene, ngayinye ngendlela yayo. Inhloso yobuciko ukumangaza nokumangaza. Futhi ngenxa yalokhu kudingekile ukugqamisa izithombe ezidaliwe ukuze zikhumbule imizwelo yabantu abathandekayo: ukumangalisa, ukumangala, ukujabula kanye nokujabula.

Esikhundleni sokucabangela kanye nokuxolisa kuvela enhliziyweni, kuya ekujabuliseni, nokunethezeka. Kwakukhona ngesikhathi sokuthuthukiswa kwesitayela samaBaroque ukuthi kwaba khona ukuhlanganisa izinhlobo ezahlukene zobuciko - indawo kanye nesikhashana. Isibonelo, ukuhlanganiswa komculo nezinkondlo kwaholela ekwenzeni i-opera. Kukhona imizamo yokuxhuma isithombe ngokudweba.

Abameli abakhulu kunazo zonke kulo mdwebo kukhona: uL. Bernini (Italy), uP. Rubens (Flanders), Rembrandt (Holland), Charles Labren, Iasent Rigot (France), Velázquez, El Greco, uHusepe Ribert (Spain).

Ekhulwini lama-17 nele-18, isitayela samaBaroque sisakazeka ngokushesha eLatin America, (lokhu kuyinto emangalisayo futhi eshaqisayo "ye-baroque"), futhi emazweni aseMpumalanga Yurophu.

Kamuva, ekuqaleni kwekhulu le-18, kuzothathwa indawo ye -Rococo isitayela (eFrance) bese kuthiwa i-classicism, eyobekwa icala lokuhlambalaza ngokwemidwebo ye-Baroque, ebiza ukudala kwalesi sitayela ngokuziqhenya nokungahambi kahle, kuze kube sebucayi, kanye nesikhathi sokuBaroque - isikhathi sokuncipha, ukunyamalala kokunambitheka okuhle Futhi umuzwa wobuhle.

Ngesikhathi sethu - esingapheli, esingacacile kanye ne-hyperdynamic, ngokufuna ukuhleleka nokuzinza - Umdwebo wamaBaroque usondelene kakhulu emoyeni.